SHOWCASE

/ ARTIST / 2026

ARTIST: daani
COUNTRY: China
CONTACT: https://www.instagram.com/_danniinnad_?igsh=bTVkZDN5cGM2d2gy&utm_source=qr
I am an illustrator from China, currently studying in Italy. In my work, I enjoy expressing ideas through indirect metaphors and subtle hints instead of showing everything directly. I like to leave space for viewers to imagine and find their own meanings in my images.
My artistic style is always changing, but I am especially drawn to dark, childlike, and vintage aesthetics. I enjoy experimenting with different visual languages while staying true to the emotions I want to share.For me, still life is often more powerful than drawing people. Objects can create a unique atmosphere and quietly tell a story, allowing themes and emotions to unfold in a simple but meaningful way.

Burning the Old Shoes (The Red Shoes)

Inspired by Hans Christian Andersen's The Red Shoes, this series explores the symbolic power of the red shoes as a visual motif. Through this series, I reinterpret the story's moral themes of vanity, faith, and spiritual awakening using symbolic imagery and decorative compositions.

Temptation (The Red Shoes)

Inspired by Hans Christian Andersen's The Red Shoes, this series explores the symbolic power of the red shoes as a visual motif. Through this series, I reinterpret the story's moral themes of vanity, faith, and spiritual awakening using symbolic imagery and decorative compositions.

Reflection in the Chalice (The Red Shoes)

Inspired by Hans Christian Andersen's The Red Shoes, this series explores the symbolic power of the red shoes as a visual motif. Through this series, I reinterpret the story's moral themes of vanity, faith, and spiritual awakening using symbolic imagery and decorative compositions.

The Endless Dance (The Red Shoes)

Inspired by Hans Christian Andersen's The Red Shoes, this series explores the symbolic power of the red shoes as a visual motif. Through this series, I reinterpret the story's moral themes of vanity, faith, and spiritual awakening using symbolic imagery and decorative compositions.

The Abbey of Prince Prospero (The Masque of the Red Death)

Inspired by Edgar Allan Poe's The Masque of the Red Death. Through this series, I focus on the depiction of these symbolic elements, using sharp, rigid compositions to capture the decaying gothic atmosphere that permeates the entire story.

The Chime of the Ebony Clock (The Masque of the Red Death)

Inspired by Edgar Allan Poe's The Masque of the Red Death. Through this series, I focus on the depiction of these symbolic elements, using sharp, rigid compositions to capture the decaying gothic atmosphere that permeates the entire story.

The Seventh Chamber: Blood-Bedewed (The Masque of the Red Death)

Inspired by Edgar Allan Poe's The Masque of the Red Death. Through this series, I focus on the depiction of these symbolic elements, using sharp, rigid compositions to capture the decaying gothic atmosphere that permeates the entire story.

The Impious Intercourse (The Masque of the Red Death)

Inspired by Edgar Allan Poe's The Masque of the Red Death. Through this series, I focus on the depiction of these symbolic elements, using sharp, rigid compositions to capture the decaying gothic atmosphere that permeates the entire story.

And Darkness and Decay Held Illimitable Dominion Over All (The Masque of the Red Death)

Inspired by Edgar Allan Poe's The Masque of the Red Death. Through this series, I focus on the depiction of these symbolic elements, using sharp, rigid compositions to capture the decaying gothic atmosphere that permeates the entire story.

story of red

cover design