Bangkok illustration fair 2025

SHOWCASE

/ ARTIST / 2025

ARTIST:	blueciiel
COUNTRY:	Thailand
EMAIL:	blueciiel@gmail.com
CONTACT:	https://www.instagram.com/blueciiel/ https://twitter.com/blueciiel
My work explores and reflects the many facets of human experience, from quiet reflections on my own thoughts and emotions to observations of everyday life and the world around me. Through a blend of simple line and playful use of color, I try to capture the unseen concepts hidden beneath tangible things.

comes and goes

Without even noticing, I find myself constantly chasing something.
And slowly, I begin to accept that nothing ever truly belonged to me.
I was simply spending time with it.
And at the end of the day, I have to let it go.

always with me

What I’ve been chasing might not even feel like it’s being chased.
I’m simply moving to the rhythm of my own life,
and it has always been there,
quietly waiting for the moment when our rhythms align,
so we can spend time together once more.

cabbage

The moment I step back inside and feel like a forgotten cabbage sitting in the fridge far too long.

mellow

Some mornings, everything just falls into place.
Each task flows into the next,
like dancing to a mellow rhythm.

Koisenu Futari - book cover

Illustration for book cover, Koisenu Futari (เราทั้งคู่ผู้ไม่อาจมีรัก). Published in Thailand by Bibli.

At first glance, an aromantic relationship might seem emotionally distant, like two people moving along separate lines.
It may appear unlike a romantic relationship, where both move side by side as a loving couple. But this story hopes to show that, even without romantic attraction, an aromantic bond can be just as fulfilling, forming a family in its own way.
Though they move along separate lines, they still create balance together as a whole.

fall foliage - Nana Nippon Issue 116 (2024)

Illustration for Nana Nippon Issue 116, published by Japan Foundation, Bangkok.

The July–October edition comes with an autumn theme, capturing the quiet transformation of the landscape as the leaves slowly turn yellow, orange, and red.

spring marathon - Nana Nippon Issue 118 (2025)

Illustration for Nana Nippon Issue 118, published by Japan Foundation, Bangkok.

The March-June edition falls in the early part of the year,
when the brightness of spring is still in the air.
It’s the perfect time for marathon events that let you take in the city’s scenery as you run.

Pak Khlong Talat - Flower Market

One morning last November, I woke up to such beautiful weather that I felt the urge to go outside, and I chose Pak Khlong Talat.
I arrived around 4 p.m., and after walking for an hour, the golden hour light started to appear.
In that moment, I knew I had to go home and draw this.
I tried to capture the warmth of that light in the fluffy, pencil-textured trees, a style I don’t usually use in my other work.

Suan Luang Rama IX - Sunday strolling

It was a lovely Sunday, and since I felt like getting some exercise,
I decided to take a walk at the park near my home.

Bangkok in pieces

A zine that explores the uniquely Thai sense of creativity by collecting and analyzing everyday items that have been cleverly and sometimes quirkily modified.

BKKIF ARTIST SPECIAL

More Artwork/Merchandise:

swap

Going to lay out my mat and exchange items at the “ตลาดนัด-แลก-พบ” event allowed me to sit and watch objects pass from one person to another throughout the day. Some items were in someone’s hands in the morning, and by the afternoon, they had made their way into someone else’s.

quiet afternoon

Thailand Healthcare 2025 - Key Visual

The event’s concept is 'A Better Life – สร้างสุขทุกช่วงวัย (Creating Happiness at Every Age)'

It showcases this idea through images of people living a simple, high-quality, and sustainable life, staying healthy in both body and mind.

shiitake

moving day

This year, I tried living on my own.
My family was very supportive.
I really enjoyed shopping and arranging my room.
But in the end, I moved back home because I missed my cat.
And maybe I don’t actually enjoy living alone that much.
I just needed a clearer sense of personal space.